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Martha Cole: "beautiful, engaging fibre" (Disley, SK)
With roots deeply buried in Saskatchewan soil, Martha Cole creates work that resonates
with the patterns of the prairies and balances intensity with complexity and subtlety.
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Martin Tagseth: "transformation of matter" (Lake Lenore, SK)
A noted educator and an internationally recognized potter, Martin Tagseth often makes reference to historical Shigaraki pots and Iga ware from Japan's Momoyama period as well
as to Korea's Choson period. His studio practice includes wood-firing, salt-firing and
applied glaze chemistry.
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Zane Wilcox: "impeccable form" (Regina)
Wilcox's pure, abstract sculptures balance the unexpected solidness of the clay with intriguing focal points and quiet, reflective energy.
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Anita Rocamora: "nature and humanity" (Meacham, SK)
Rocamora's exquisite figurative works elicit feelings of joy, awareness, poetic whimsy, and most importantly, an intimate sense of connection to the earth.
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Heather M. Cline: "visual storytelling" (Regina)
Her mixed media collage and painting techniques create images that are slowly revealed in conversation with the viewer.
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Patrick Close: "intense quietude" (Regina)
Close has been exhibiting his work since the mid-70s and has established himself as an outstanding photographer whose works are included in many prominent exhibitions and collections around the world. Adding to his photographic success, Close is conducting his own independent study of painting styles and techniques.
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Holly Fay: “the lived perspective” (Regina)
Holly Fay is inspired by nature and the landscape,
however, she uses paint to describe the non-objective memory, concept
and sensory experience of place.
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David Garneau: "dynamics of identity" (Regina)
David investigates his Metis ancestry and creates
meaningful works from a place of in-between.
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Don Hall: "distinctive observations" (Regina)
Don Hall is known as one of Saskatchewan's finest photographers. |
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Chad
Jacklin: "form and function" (nth degree design) (Regina
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Often
working with reclaimed materials, Chad’s work inspires a new
awareness for the re-functionality of the things we discard.
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June J. Jacobs: "informed fibre" (Meacham, SK)
In her sculptural process, June utilizes her mastery in manipulating fibres, dyes, structure and surface to convey an aesthetic of form.
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Peter James: "fantasize / synthesize" (Regina)
Peter is motivated to create by the subconscious meanderings
of dreams and
mythologies.
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Marsha Kennedy: “hopeful vision” (Regina)
In her beautifully detailed work, Marsha addresses
socio-economic, cultural, spiritual and ecological concerns through
multiple layers of symbolism and iconographic imagery.
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Tracy Templeton: "intangible experience" (Ashland, Oregon / Lumsden, SK)
Templeton documents the abandonment and deterioration of rural Saskatchewan homesteads with her series of altered etchings with chine colle.
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Ernest Klinger: "transcending journey" (Regina)
These works explore the pure process of painting ...
the repetitive layering of paint is a labor intensive technique
of meditation and aspiration.
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Sally Hui: "urban impressions" (Regina)
Sally's interpretive works convey the power of light, color and shadow to create an atmosphere of place.
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Jana
Kutarna: "creative play" (Regina)
A realist painter with an interest in intuitive experimentation,
Jana Kutarna draws inspiration from an intimate relationship with
her surroundings.
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Ed Pas: "serene yet evocative" (Saskatoon)
His work explores beauty, enchantment, and mystery, and is motivated by a desire to
create images that transcend the mundane.
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Gerri Ann Siwek: "wonder and sentiment" (Regina)
By mixing observations and curiosity with truths and half-truths, Gerri Ann Siwek presents her impressions of what is both visible and invisible.
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Doug Taylor: "endless discovery" (Elmhurst District, SK) 
It is always possible to discover something of interest, something that sparks, through action...through making... without consciously controlling all of the meanings generated.
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Marlo V.: “earthy and ethereal” (Regina)
As a mixed-media texture artist grounded by the ‘zen’
of the prairies, Marlo finds
harmonies in the mixing of old + new,
rough + modern.
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Carole Epp: "personal-global relationships" (Saskatoon)
Carole's sculptures use the genre of figurative collectables to present political and social dialogue.
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Melody Armstrong: "essence of form"
Capturing the detailed essence and sensuality of form, Melody Armstrong blurs the line between animate fabrications and living organisms.
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